Month: July 2020

Avoid Vanilla Writing, Part 1

Welcome to this week’s #WritingWednesday post!

We’ve all heard different rules of writing—show, don’t tell; avoid –ly adverbs, don’t head-hop with point of view, blah, blah, blah. But a sure death knell for a story is vanilla writing. No one wants to write the yawn-inducing DNFed story (Goodreads speak for Did Not Finish). While “avoid vanilla writing” is a bit vague, here are a few ideas to keep your readers up late turning pages.

  1. Murder your darlings: this quote is attributed to William Faulkner or Oscar Wilde (or others), but actually originated with Arther Quiller-Couch from his 1914 lecture “On Style.” Good job, Arthur! But what does it mean? It means all those things you absolutely love, the cutie-patootie characters, clever dialogue, and flowery descriptions should be eliminated if they’re unnecessary or don’t move the plot forward. Believe me, I know it’s tough—I’ll weep with you while we read on.
  2. Zzzzz: Ending the chapter or scene with the character going to sleep. I’ve done this. Sometimes it can’t be helped. But if you can find another ending, maybe a twist to ratchet up the tension, the scene will be better and the reader will keep reading.
  3. The Normal Routine: Mary Sue wakes up to the sun streaming into her room. She stretches, slips out of bed, and pads downstairs for her regular cup of coffee. She pulls her favorite cereal from the cupboard, but the dog Benny whines and dances around her ankles. She lets the dog out and gazes out on a lovely morning with white, puffy clouds and singing birds. The bird feeder was empty–she’d have to refill it after breakfast. Her thoughts turn to what she can make for supper this evening. Perhaps her husband’s favorite casserole…

Have I lost you yet? Aside from my bad writing example, it’s boring! Nobody cares about Mary Sue or her coffee or what she’ll make for supper. Summarize and get to the point when she discovers her husband is having an affair or her dog tore up her neighbor’s prize-winning roses…

Check in next week for Part 2 of Avoid Vanilla Writing. And in the meantime, go have some ice cream. After all, it’s still National Ice Cream Month. 🙂

 

 

Pictures from Pixabay

Three Different Kinds of Maps

While maps are often necessary to get from point A to B (especially for someone directionally dyslexic like myself), I also love to find them in books. It helps me understand the journey and the landscape of the characters I’m reading about. When I have a map of my own world, it also helps me write better. As I’m writing descriptions, I can check my map. What does the character see? Will the mountains or the towering trees hinder her view? What scents will carry on the wind?

Even if you think you’re not artistic, you can create a map. There are different kinds and one of them will definitely work for you.

  1. Notebook/grid map: I started with this method when writing Spark. It was originally unlabeled land masses sketched on notebook paper. That worked for a while, but I eventually started erasing, adding, and revising the map. I then redrew it on grid paper (don’t know why I went with that, especially since I wasn’t really trying for scale). I finally scanned the thing into Paint but was dissatisfied with the “flatness” of it. After watching tons of YouTube videos, I drew my own version of it on nice blank paper. I was so pleased with how it turned out, I added a map in each book of the Firebrand Chronicles.
  2. Pinterest map: This is great for those who only need pictures of landscapes. If a drawn version is beyond your skills, pick some pictures on Pinterest and put them on a board. I’ve even seen authors print them out and put the pictures on poster board as a kind of vision board. Do whatever works for you.
  3. Professionally drawn map: Some authors will hire someone to draw a map for them. Ask on Facebook for artists who take commissions; there are also artists on Fiverr who offer these services.

If you still feel you could never do any of these, just try one. As someone who really can’t draw, I never thought a drawn map would be possible. In your attempts, you might discover something new about your world or about your abilities. Most of all, have fun!

Three Great Books for Worldbuilding

Worldbuilding is hard. Right? I can hear you moaning and pulling out your hair as you try to build up your world. I’ve been there. In fact, I find it one of the more mentally taxing parts of creating. What’s unique and profound that’s never been done before? (Uh, nothing. Even Solomon said so, but we keep trying anyway. That, my friends, is called insanity.)

If you’re struggling, there are some really great resources to help you create a realistic world. While I could never list all of them, I’ll list the ones I’ve found to be most helpful. Below, I’ve listed three books (and as a bonus, one website) I’ve found invaluable while creating.

  1. Storyworld First by Jill Williamson

Aside from being a great person with a cool name, Jill is one of the hosts of the Go Teen Writers website (GoTeenWriters.com). Her book is fantastic, covering all aspects of a world, such as geography, creatures, magic, languages, etc. In the back of the book are worksheets, charts, and word lists–extra bonuses to help you through the worldbuilding maze.

  1. The Writer’s Digest Guide to Science Fiction and Fantasy by Orson Scott Card

This thing is massive at 408 pages, but it includes more than just worldbuilding information. There’s a “how to write” section at the front while the second half is the nuts and bolts of creating a world (races, cultures, religion, clothes, weapons, etc.) The last chapter was the anatomy of a castle (which isn’t much help if you’re looking to stay away from the typical European epic fantasy). The rest of it is wonderful and well worth the purchase.

  1. The New Age Baby Name Book by Sue Browder

This is not your typical baby name book. From Abebi to Zersiro, I’ve found these unusual New Age names to work for towns, races, religions, really anything that needs a name. Even better, meaning and pronunciation for each one are included.

  1. And lastly as a bonus and related to number three, this is the website I find myself going to over and over: https://www.fantasynamegenerators.com/

It generates names of diseases, political parties, superpowers, and theme park rides, among numerous other things. It’s really worth a look, not only to inspire you, but also to flesh out your world more, by seeing what you’ve missed. 🙂  Because trust me, you’ve missed something.

A last piece of advice before you go: make sure you have a notebook to write down names and places, ideas, meanings, and pronunciation. You’ll want all your choices in front of you when you start naming and labeling. Having the perfect idea there in black and white sure beats having to look it up while you’re writing.

So go. Create. And don’t forget to have fun, too.

Creating a One Sheet

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What is a One Sheet?

One sheets are strange animals. Part graphic design, part advertising copy, part business card, they’re not often needed in proposals. Sometimes they’re asked for at in-person pitches, but this is largely dependent on the person you’re meeting.

They’re one page (surprise, surprise) and include all the important information—title, word count, tagline (if you have one), blurb, an eye-catching graphic, contact information, bio, and headshot. If you’ve completed all the other items mentioned in my previous blog posts (here, here, and here), your most pressing issue will probably be finding the right graphic. There are plenty of good free graphics on Unsplash, Pixabay, Pexels, and Bing. Go more for a professional look, less cutesy. That adorable paw print pattern you were going to use for your werewolf shifter novel? Yeah, don’t. Readability is key. Use a clean font—save that cool Gothic Script for another project.

I have a love/hate relationship with the one sheet. While they can be fun, they take valuable time from agonizing over, er, I mean revising my synopsis or blurb. After you’ve finished your one sheet, do a test run. A graphic may look perfect on the computer, but be an absolute nightmare once it’s competing with all the information on the page. For example, I’d originally planned a full-page, fiery graphic for my one sheet about Spark, Book One of the Firebrand Chronicles. But on the page, there were sparks and flames consuming my valuable contact information. It was too much. I found a smaller graphic that just spanned the top half of the page.

While I’d love to tell you to skip a one sheet, because many of us are writers, not graphic designers, I used one when pitching to an agent. I’d thrown a few in a folder on my way out the door to a one-day writing workshop. When a last-minute opening became available, I signed up to pitch to an agent. I slid the one sheet across the table and waited, shaking, while he spent a few seconds scanning it. He nodded, asked a few questions, and it gave me some time to ease into the situation. To be honest, I think what was written on it was more important than the cool flame graphic scrolling across the top. So, it’s really up to you.

If you’ve done your best with all the other items in your proposal, the most important thing you can do is relax. Remember to breathe. Say a prayer. Then,  take all your nervousness and turn it into excitement. Be animated (not wooden) and share with the other person all the cool things about your story!

Happy pitching!

What Is a Blurb?

You’ve probably heard of a blurb, but I’d bet my wobbling TBR pile you’ve read one–every time you pick up a book in a bookstore or click on the link on Amazon to learn more. But writing one for your own work isn’t easy.

Also called a BCC or back cover copy, it’s like a dating profile. What can you tell the reader that will make him/her purchase this book? The tagline on the front of the eye-catching cover compelled them to pick the book up or click on the link. You hooked them. Great! Now you have to make the reader buy it, and an engaging blurb will seal the deal.

Not sure how to start? Check Amazon for some ideas. Every book there has a blurb, but I would check the bestsellers in your genre. You’ll see how the big dogs do it. Once you’ve got a few ideas from checking Amazon, try writing a summary. Remember the synopsis you worked on? Use that to make sure you include the high points of your story. Unlike the synopsis, use more interesting language, exciting action verbs and hyperbole. List and name the main characters, what they want, and the obstacle in their way. Use short sentences with words that create a certain feeling and will draw in the Ideal Reader of your genre– for example the sinister monk, a mysterious secret, or the adorkable boy next door. Oh, and DON’T tell the reader how it ends. Include the stakes. Will they find their way out of the labyrinthine rain forest? Will they be eaten by starved zombies? Will they kill the evil mastermind? What do they have to lose if they don’t?

You’ll probably have a pretty clunky piece of writing, so hone it down. Play with the wording, making sure it’s written in your voice. And definitely do it more than a few times. But trust me, after writing several versions of the same blurb, it all begins to blur. That’s when you call in your writing friends to get new eyes on it. One of my writing buddies is the Queen of Blurbs—it’s like her superpower.

While some contests call for a blurb under 200 words, ideally it should be 100-150 words. Amazon doesn’t give you a lot of room and you’ll want it to be nicely spaced on the back cover. It can be tricky, but don’t give up on this crucial item. With some work, your blurb will sparkle and shine!