Have you ever heard of deep point of view? As a writer, you want to transport the reader into the story. You want them there with the characters, feeling and experiencing everything they are. Deep point of view accomplishes that.
It’s a more intimate way of writing. The writer removes the narrator and settles into a comfy chair in the chosen character’s head. Although deep POV usually refers to third person, I’ve also found writing this way helpful in first person as well. It is limiting, though. You can’t know what the other characters are thinking because you’re firmly entrenched in your comfy chair. You can see reactions, but the other characters’ thoughts are hidden.
There are several other things to remember with deep POV.
You have to pick a character to inhabit. You can’t do two or three characters at a time. When you change scenes or chapters, you can slip into someone else’s head, but don’t do it within the scene. It’s sometimes referred to as head-hoppping, and it’s very confusing to the reader.
Avoid dialogue tags (in third person.) If you’re in Ron’s head, you wouldn’t say Ron snapped at Sharon. You’d use interiority to give the reader a window into what’s he thinking. For example: “No, you can’t have the last pickle.” He gritted his teeth. I’ve never seen someone as selfish as Sharon.
Avoid “distancing” words. She felt, noticed, realized, thought, looked at, etc. For example: Shari exited the shop. She noticed the dark sky. In seconds, she felt the heavy raindrops soak her clothes as she ran for her car. I’ll have to drive home carefully, she thought.
The same passage with deep viewpoint: Shari exited the shop. Dark clouds loomed, blocking the sun. In seconds, raindrops soaked her clothes as she ran for her car. I’ll have to drive home carefully.
Although these aren’t excerpts from the great American novel, the reader is closer to the characters. They sense Ron’s irritation and experience the storm as Shari does.
A couple of books cover this writing technique. A good one is Rivet Your Reader with Deep Point of View by Jill Elizabeth Nelson. Another is Writing Deep Viewpoint by Kathy Tyers.
Try this technique the next time you sit down to write. It’ll make your characters come alive for your readers.
ome to #WritingWednesday. Last week we talked about a few ways to avoid boring writing. This week, I have a few more tips for you to keep your story interesting and your readers engaged!
4. “…and everyone lived happily ever after, forever and ever, with a big, red bow.” Hmm, maybe not. I NEED a happy ending. (I was very cross with Veronica Roth after reading the Divergent series. Just sayin’…) But that’s just me. You must decide how happy your ending’s going to be. Somewhat bittersweet? Tragic, like Romeo and Juliet? Or do we get the true HEA (Happily Ever After)? Even with an HEA, not every character is happy—not the villain and perhaps not some secondary characters. There may be unpleasant circumstances due to bad decisions. That’s okay. Just remember the expectations of your genre (romance readers expect an HEA or an HFN–Happy For Now). A spark of hope on the last page will satisfy your readers.
led land masses sketched on notebook paper. That worked for a while, but I eventually started erasing, adding, and revising the map. I then redrew it on grid paper (don’t know why I went with that, especially since I wasn’t really trying for scale). I finally scanned the thing into Paint but was dissatisfied with the “flatness” of it. After watching tons of YouTube videos, I drew my own version of it on nice blank paper. I was so pleased with how it turned out, I added a map in each book of the Firebrand Chronicles.
s (and as a bonus, one website) I’ve found invaluable while creating.
Also, if you’ve beta read or critiqued the Firebrand Chronicles, blogged or posted on social media, left a book review, gushed about them to a friend, or stopped me on the street to say you liked the book or asked about the next one–THANK YOU. Knowing my stories gave you the chance to escape to Linneah with Brenna and Baldwin for a few hours is a huge honor.
I’d originally had another post for today– something about plotting vs. pantsing and how’d I’d used both for the Firebrand Chronicles, blah, blah, blah. 🙂
ted.
Some might say it was my hard work paying off. While I’m certain hard work is part of it, it’s not ALL of it. Lots of writers work hard–we have to because the market is super-competitive. Part of it is about surrender, loosening a grip on a dream so Someone can shift it, manipulate it into something better. And part of it is also listening to that voice that tells you, this is what you’re put on earth to do, this is why you’re here.
moving forward, still as much in love with writing as ever before. My next project (a Snow White retelling) is already “finished” although the plot holes need to be plugged. 🙂 For right now, I’ll let it simmer and enjoy Burn‘s release-day celebration!!!
Spark, (Book one of The Firebrand Chronicles) is about Brenna James, who’s just a normal ADHD teen. You know, going to school, hanging out with friends, shooting fire from her bare hands…um, what? When her mother disappears, Brenna will do anything to find her. Even travel through a portal. But life on the other side involves intimidating griffins, cryptic prophecies, and elusive enemies. With the help of her new friend Baldwin, she must choose wisely whom to trust or lose everything.
Hi, lovelies! Today, I’m thrilled to host author Laura Zimmerman on my blog to talk about her debut novel KEEN!
