Next week will be busy here on Jilligan’s Island. I’m interviewing two awesome authors!
On Monday, I’ll be chatting with Desiree Williams about her new book Illusionary. We’ll learn how she came up with the idea for the book and what her writing process looks like.
Then on Wednesday, I’ll be interviewing Carrie Ann Noble and we’ll talk about her new book The Gold-Son. Carrie also shares the idea that spawned this book and discusses her favorite part of writing .
Both of these authors are being super generous and offering giveaways, as well! So don’t forget to stop by and learn more about these talented writers.
When I began writing in 1995, I wrote Christian romance. While writing that first novel, I like to say I made all my mistakes. (Because I made so many, that story will never see the light of day). In each subsequent novel, I continued to learn new things and (hopefully) my writing improved. Spark was no different.
If you’re writing a series, seed your stories.
Spark is the first book of The Firebrand Chronicles. It’s about a female teen, Brenna, and the events that occur as she becomes an adult. Because it’s chronological and about one major character, I had to spend a lot of time outlining and thinking about where I wanted the other stories to go. And I had to make sure certain things happened in each book so that the next book would work. My editor was very, very kind. We were deep into edits when I sent her a desperate, yet apologetic email. “We have to change the name of this item. What I have won’t work.” She agreed and changed it. I’m thankful for her flexibility because the sequels would be a lot harder to write without the change. So even though I’m a pantser at heart, outlining the following books ahead of time was necessary.
Trademarks matter.
While I was writing, I threw in references to Pop-Tarts and Volkswagen vans. After all, they’re familiar items unless you’ve been living under a rock. But they’re trademarked, which means you need to be careful. After consulting with the Kellogg’s people, they nixed my Pop-Tart references (I still don’t think I’ve forgiven them). And the Volkswagen van reference was scrubbed and changed to “SUV.” We were thrilled when the C.S. Lewis Foundation okayed Lewis’s quote I used at the beginning of the story. I always knew he was a classy guy.
There’s no such thing as too much revision.
I haven’t counted how many total revisions Spark went through. But even now, after it’s done and printed, I still see things I’d change. (Part of that is my attractive, neurotic side.) Aside from the revisions I made before it I typed “THE END”, I revised it at least two times before giving it to my family, then again before giving it to my critique group, then revised it three more times before submitting it to a contest, then revised it again before submitting it to an agent. My agent showed me how he wanted it revised (which I did—twice), then my publisher showed me the revisions she wanted (and there were three rounds of those edits). So in all, I revised Spark at least ten times. Although I’m happy with it, it’s no surprise I’m ready to move on.
I’ve begun writing Book Two of The Firebrand Chronicles, titled Flare, and it picks up about eight months after Spark ends. I’m enjoying the process of creating and herding these characters in the direction they need to go. Please pick up a copy of Spark, then leave an honest review on Amazon, Goodreads or Barnes and Noble, telling everyone what you think.
Because the last thing I’ve learned? Authors (this one included) loves reviews!
What exactly is a street team? Many people don’t know what they are or what they do. Street teams started back in the 90’s with urban record labels. Super-fans would pass out demo tapes and handouts to friends and talk up the bands, promoting by word-of-mouth. In return, the street team would receive items like concert tickets, backstage passes, limited edition merchandise, and groupie status.
The trend has now moved to include authors and their books. The fans promote the author, thereby acquiring rewards and insider status, while the author attains access to a wider audience.
There are several steps to setting up a street team. After the author thinks of a catchy name for his/her street team, a Facebook page is usually set up as a central headquarters. People can ask to join, and many times, the author will have the individual fill out a short application using an online tool (like Google Form). The author learns a little more about the person, guaranteeing they’re a good fit. As launch day draws closer, the street team is set into motion. What are some things street teams can do? They can:
hand out bookmarks to libraries, bookstores, and cafes/coffee shops
request the author’s books at their local libraries and bookstores
tell friends and relatives about the book
share an honest review on Amazon, Goodreads, and/or Barnes & Noble (one of the best ways to show love to your favorite author!)
create social media posts and/or tweets to share information
Now the next question may be, what do street teams member get? Pretty much whatever the author chooses. It’s only limited by imagination. For example, my street team (The Pyromaniacs) can receive:
the chance to participate in a special drawing; the grand prize is naming a character in my next book Flare
exclusive opportunities to complete missions and win prizes
insider information on my books and updates on the writing process and current projects
the chance to win an autographed copy of Spark
a street team members-only short story written about the characters in Spark
Many authors swear by street teams and the community they provide. I’m a marketing newbie, still learning what works and what doesn’t. But I believe the ability to connect with readers is invaluable.
So if you’ve already joined The Pyromaniacs, thank you from the bottom of my heart. You’re the reason I wrote this story. If you haven’t joined The Pyromaniacs yet, why not? I’d be thrilled to have you be a part of this journey.
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