Few words strike dread in the heart of a writer like the word synopsis. It’s the Dreaded Nightmare of most writers. (There’s probably a few out there who don’t mind writing them, but I’ve never met them).
So what exactly is a synopsis?
It’s a one-to-two page document, usually either two pages, double-spaced or one page, single-spaced. (Check the editor/publisher/agent guidelines. If it doesn’t specify, don’t sweat it. Just pick one.) The publisher or agent uses the synopsis to see if there are plotting issues or weird tropes (i.e., it was all a dream!). They aren’t expecting advertising copy; save your gorgeous, flowery prose for the manuscript. Otherwise, write it in the same tone and style the book is written in. One caveat: if your book is written in first person, don’t write your synopsis that way. Typically, write it in active voice, third person, present tense.
Briefly introduce your main character(s) and put their names IN CAPS the first time they’re introduced for ease of identification. This document is where you spill the beans regarding your story — the interesting setup, the plot twists, emotions and reactions of characters, setbacks, climax, and resolution. Keep the details pertinent, and don’t give tons of backstory. I’ve found this to be extremely difficult. After all, every single scene feels important to me. I want to include them all.
A few important points:
- Yes—you have to tell how the story ends. Aside from the length, this is one of the main differences between the synopsis and the blurb. Don’t try to pass the blurb off as a synopsis.
- Show, don’t tell doesn’t work for the synopsis. Because this is an entirely different kind of writing compared to a book, you’ll have to do a lot of telling, not showing.
- If you’re a pantser and you haven’t finished the manuscript (and therefore can’t finish the synopsis), go finish your book. Agents and publishers won’t consider books that are “mostly” finished.
- For more information, check out Reedsy’s article on writing a synopsis.
I’ve found the easiest way to create a synopsis (or as easy as synopsis creation can be) is to take my manuscript and go through it chapter by chapter. What are the key plot points that occur? List them in order. Be brief. When I’m done, I’m halfway to a working synopsis. Then edit, edit, edit.
Also, if you’ve beta read or critiqued the Firebrand Chronicles, blogged or posted on social media, left a book review, gushed about them to a friend, or stopped me on the street to say you liked the book or asked about the next one–THANK YOU. Knowing my stories gave you the chance to escape to Linneah with Brenna and Baldwin for a few hours is a huge honor.
I’d originally had another post for today– something about plotting vs. pantsing and how’d I’d used both for the Firebrand Chronicles, blah, blah, blah. 🙂
ted.
Some might say it was my hard work paying off. While I’m certain hard work is part of it, it’s not ALL of it. Lots of writers work hard–we have to because the market is super-competitive. Part of it is about surrender, loosening a grip on a dream so Someone can shift it, manipulate it into something better. And part of it is also listening to that voice that tells you, this is what you’re put on earth to do, this is why you’re here.
moving forward, still as much in love with writing as ever before. My next project (a Snow White retelling) is already “finished” although the plot holes need to be plugged. 🙂 For right now, I’ll let it simmer and enjoy Burn‘s release-day celebration!!!
Spark, (Book one of The Firebrand Chronicles) is about Brenna James, who’s just a normal ADHD teen. You know, going to school, hanging out with friends, shooting fire from her bare hands…um, what? When her mother disappears, Brenna will do anything to find her. Even travel through a portal. But life on the other side involves intimidating griffins, cryptic prophecies, and elusive enemies. With the help of her new friend Baldwin, she must choose wisely whom to trust or lose everything.
Hi, lovelies! Today, I’m thrilled to host author Laura Zimmerman on my blog to talk about her debut novel KEEN!
It’s been a long wait but Kristina Mahr has finally given us the second book in her duology. I loved All That We See or Seem (here’s 
Kristina Mahr devotes her days to numbers and her nights to words. She works full-time as an accountant in the suburbs of Chicago, where she lives with her two dogs and two cats, but her true passion is writing. In her spare time, she enjoys spending time with her family and friends, reading, and waking up at the crack of dawn every weekend to watch the Premier League.
When I first began writing Spark (which was initially called The Sacred Veil), my youngest daughter entered kindergarten. She was diagnosed with ADHD inattentive in second grade. I was thrilled to have answers to why she did the things she did, and our family began learning about the world of neurodiversity. (Neurodiversity includes autism, dyslexia, dyspraxia, ADHD, as well as other neurological conditions.) I became an expert, if not in ADHD, then at least in my child and her needs. But where were the fantasy books with an ADHD main character? (I don’t count Percy Jackson—his ADHD and dyslexia is explained away when he discovers he’s a demi-god. A missed opportunity, in my opinion!) There were too few neurodiverse characters, and the idea of a main character with ADHD was born.
