How Far Is Too Far?

September 12, 2023September 12, 20232 Comments

There’s an audience for every subgenre of romance—romcoms, suspense, military, sports, bully, motorcycle clubs, and mafia (Don’t even get me started on those last three–that’s a whole ‘nother post!) Anyway, my point is whatever your preferred subgenre, there’s a sizeable group on social media that stands with you. Almost every romance subgenre references “book boyfriends,” as well. Readers dive into the fandom and enjoy these fictional characters with new content, fan art, book clubs, and discussions. The characters are perfect, swoony, and say and do all the right things (as long as they’re written and edited correctly!) 😉

There’s a segment of romance readers who love sports romance, including hockey. Many of them hang out on BookTok (i.e., bookish TikTok), where they talk about books and literature. I wasn’t aware “hockey is actually the biggest sports subgenre in romance outside of Canada.”¹ According to romance author Farah Heron, “BookTok is super horny. TikTok goes through trends with what’s popular in the book environment there. For a while it was all about horny fantasy romance, and then it started going into extra, extra spicy contemporary romance…. Now, hockey is having a moment on BookTok.”

The Seattle Kraken ice hockey team took advantage of this. In the winter of last year, they leaned into the subgenre of hockey romance on BookTok. There’s just one problem with that. Apparently, no one told them BookTok, Instagram, and other social media are like the Wild West.

Nashville influencer Kierra Lewis shared enthusiastic (and sometimes explicit) BookTok posts about the Seattle Kraken and player Alex Wennberg. The Kraken flew her out to see Game 4 of the second–round playoff series against Dallas. She held up a sign during the game with “Krack My Back” emblazoned across it. (A riff on the saying “Break my back,” which references vigorous… well, I’m sure you can fill in the blank.) When the Kraken lost, they flew Lewis home and stopped posting BookTok content. It was just as well, since they had received complaints about the players being objectified.

But it didn’t stop for Alex Wennberg and his family. Although he and his wife had initially joked about some of the attention, it grew to be too much. Explicit posts, particularly from Lewis, became common, with one post describing in detail what she wanted Alex to do to her. His wife Felicia screenshot the post and concluded, “What doesn’t sit with me is when your desires come with sexual harassment, inappropriate comments, and the fact that with the internet, we can normalize behavior that would never be ok if we flipped the genders around.”

BookTok responded with mocking backlash, along with harsh comments about Alex’s play and his marriage (Really? Come on, people. Be better.) He followed up with his own post days later. “As someone who’s been media trained my whole career, I’ve been taught to bite my tongue and leave it instead of making a statement. But it has gone too far for me to stay quiet when people post vile comments on my wife’s Instagram and on photos of our child. … Enough of sexual harassment, and harassment of our character and our relationship.”

Amidst all the chaos, the Kraken unfollowed Lewis. She was upset. “The reason why BookTok even was aware of the Kraken, or h*ll, half these hockey teams, is when they started doing these slo-mos and, ‘Hey, BookTok, look at us, look at us,’ ” Lewis said in her video. (I think she’s missing the point here…)

When Alex let it be known he was uncomfortable because of the “aggressive language”, the Kraken team issued its own statement. “Social media provides us with a great opportunity to connect with new audiences and we originally engaged with the BookTok community in this spirit. However, this is a good reminder that unintended consequences may arise. It is disappointing that a small percentage of online commenters crossed a line.”

Is there anyone here who is at fault? Is it the Kraken team, who jumped at the chance to broaden their fan base? Is it the team members who should “suck it up” and expect this kind of attention? Or is it the influencers, who have blurred the lines beyond what’s considered acceptable? And what can be done to prevent this from happening in the future?

I’d love to know your thoughts on this! Please respond in the comments.

¹ https://www.cbc.ca/arts/commotion/what-happened-when-booktok-was-unleashed-on-the-seattle-kraken-1.6936740

All other quotes from https://www.seattletimes.com/sports/kraken/kraken-have-learning-moment-after-alex-wennberg-and-wife-condemn-social-media-promotion/

Spark: Firestarting & Neurodiversity

March 10, 2021March 8, 20215 Comments

Today as part of the StoryQuest Academy Clean Fiction Blog Tour, I wanted to share some of the inspiration behind The Firebrand Chronicles (includes Spark, Flare, & Burn).

And don’t forget to comment on the posts for a chance to win some bookish prizes!

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I’m a firm believer God gives each of us a special gift that makes us unique and distinctive. This fact and the question “What if…?” inspired the beginning of my YA portal fantasy trilogy the Firebrand Chronicles.

What if God’s gifts were more dramatic than being a good teacher or a great speaker? Don’t get me wrong—those are valuable gifts (especially the speaking gift—I’m often unclear or awkward!) But what if God gave each person a highly visible gift, like firestarting or control of the weather? Could being able to control time be used for good or evil? How would individuals use these talents?

These questions were the basis for Spark, book one of the Firebrand Chronicles. I added another component to the main character due to my youngest daughter. Around the time I was writing Spark, she was diagnosed with ADHD (inattentive). This means rather than being hyperactive and loud, she was more often distracted and unfocused. I learned how ADHD affects children—lack of focus, impulsivity, and low self-esteem are often present. I couldn’t even imagine how an impulsive, distracted teen would handle firestarting, but I was interested in exploring it.

The YA fantasy landscape lacks characters with ADHD, especially girls. Percy Jackson’s ADHD and dyslexia are mentioned briefly in Percy Jackson and the Lightning Thief then explained away. In fact, few literary characters at all, male or female, are neurodiverse (this term covers ADHD, autism, Tourette’s, dyslexia, as well as a host of other disorders). Adhdaware.org.uk says 30%-40% of the population is neurodiverse, and the CDC says 11% of American children have ADHD. The YA fantasy genre doesn’t reflect this.

In response, I created Brenna James who struggles with ADHD while also being the Chosen One. I wanted my daughter and other neurodiverse kids to know they weren’t broken or damaged; they are creative, out-of-the-box thinkers who process the world differently. They can ride a griffin, battle the evil villain, and use their gift to save the world.

Because some YA reads more adult than young, my series is clean yet with lots of nail-biting action, some snark (because snark is a teen’s second language), and a touch of romance.

Here’s a little more about Spark:

Brenna James wants three things for her sixteenth birthday: to find her history notes before the test, to have her mother return from her business trip, and to stop creating fire with her bare hands.

Yeah, that’s so not happening. Unfortunately.

When Brenna learns her mother is missing in an alternate reality called Linneah, she travels through a portal to find her. Who knew portals even existed? But Brenna’s arrival in Linneah begins the fulfillment of an ancient prophecy, including a royal murder and the theft of Linneah’s most powerful relic: the Sacred Veil.

Hold up. Can everything just slow down for a sec?

Unwilling yet left with no other choice, Brenna and her new friend Baldwin pursue the thief into the dangerous woods of Silvastamen and beyond. Exactly what Brenna wanted to do for her sixteenth birthday. Exactly. When they spy an army marching toward Linneah, Brenna is horrified. Can she find the veil, save her mother, and warn Linneah in time?

And more importantly, why on earth doesn’t this alternity have Belgian waffles?

Spark (and the entire Firebrand Chronicles boxed set!) is available at Amazon (https://www.amazon.com/Spark-Firebrand-Chronicles-Book-One-ebook/dp/B06Y1DSKRB) and anywhere else books are sold.

Check out the rest of the blog tour participants below!

Writing a Series vs. a Standalone

September 9, 2020September 8, 2020

I’ve heard authors ask, “Should I write a series or a standalone?”

My first answer would be to write the story in your heart. DO NOT WRITE TO TRENDS – say it with me. Do not. By the time that story’s written, revised countless times, edited, and polished, that royal Tasmanian zombie-shifter prison quartet trend will have flashed and died.

But if you can see your story going either way, here are a few truths regarding series and standalones.

Historically, authors are told to write series. Series sell better. If you’re shooting for traditional publishing, it shows agents/publishers you have more than one book in you. Readers like following characters they’ve read about before. (This last point is a double-edged sword. More on this later.) But if there isn’t an arc there, and you aren’t interested in adding or fleshing out secondary characters, don’t force it. Some stories might only be one book long. That’s not a crime. In fact, lately, I’ve hesitated to buy or read a book in a series. Every story seems to be part of a series (says the author who wrote a trilogy. Ahem.) Sometimes I just want to read a well-told, juicy standalone. Sometimes I just want to write a well-told, juicy standalone. But…
There’s a benefit to sticking with characters you’ve created, tortured, and triumphed with after just one storyline. I found this especially true with the Firebrand Chronicles. I grew to really know and love Brenna, Baldwin, and Arvandus. Spending all that time with them made me imagine what else could happen to them. After finishing a story, I usually imagine different connecting points between characters and plot. Even my short story “Everwild” (which is in the anthology Mythical Doorways and is FREE, BTW…) is already a four-book series in my head. I have plenty of adventure and mayhem planned for half-fae Flint and full-fae Lila. I just can’t get all my projects written as quickly as I’d like.
At the outset, writing a series requires more planning. Detailed notes are imperative—a “bible” for your world, with the characters, their backstories, descriptions, towns, magic system, tech level, money system, languages, belief systems, etc. You won’t remember it all—trust me. Take copious notes and keep them with you while you write. A map is good too, even if it’s one scrawled on notebook paper (which is what I have for my current WIP. I’m not crazy about it, but it’s working—for now.)
Over the long haul, world-building is generally less work. Although there are detailed notes being listed in your notebook bible, you create one world. That world lasts for the duration of the series. For each standalone, the author must create a new world. Every. Single. Time.
I mentioned how much readers like following characters they’re familiar with. I’ve found some readers don’t want to buy a book and then wait a year for the next installment. So they’ll wait. (*Raises hand.*) Many will wait until all the books are out. You won’t see sales. Don’t let that discourage you. Keep writing the next story. If you’re self-publishing, you could avoid this problem by doing a rapid release (which is writing all the stories, editing and polishing them, and then releasing them in quick succession, usually no more than six months apart.)

Don’t feel you have to create a series if it’s not in you. There’s a place for everyone at the table, both series writers and standalone authors.

Going Deep in Your Story, Part 2

August 19, 2020July 28, 20202 Comments

There are plenty of ways to go deep into the story you’re telling. Many people think going deep refers to deep point of view, which I covered in last week’s post. Today, I want to discuss ways to add richness to your storytelling by going deep in other ways.

One way is to use all five senses (smell, sight, taste, touch, and hearing). Yes, I know this is a basic rule. But think…in this digital age, when was the last time you put your phone away and just looked? Learn to be an observer of people and environments. People watch. What do you notice? What about your environment? What color of blue is the sky? How does the snow look when it falls slowly?

Take a scene you’re currently working on. Have you included what the character experiences? The purr of a sports car? The stickiness of a fast-food counter? Smells are sometimes overlooked, but I love these lines from Rudyard Kipling: “Smells are surer than sights or sounds/To make your heart-strings crack…”

Sometimes I’ll include the sixth sense, intuition (sparingly). You know that feeling of knowing when someone’s lying or when your hair rises on the back of your neck? This sense is great for creating tension.

I can imagine you’re thinking, “But I can’t write the story and include all of that at the same time—it’s too much!” You’re right, it is. So just write the story first. One of my favorite quotes is by Terry Pratchett: “The first draft is just you telling yourself the story.” Spill everything onto the page. Don’t edit, don’t fuss about word choice. It doesn’t need to be pretty—you can add the five senses in the following drafts.

Something else you can include in the second draft (& third, and fourth, and fifth, and…) is descriptions. Metaphors and similes add to the mood of the story as well. Make use of them (again, sparingly) through the character’s eyes. For example, a high society woman wouldn’t say or think someone was “as happy as a pig in slop.” Stay true to your character so the reader can stay in the character’s skin.

Show, don’t tell, how someone feels. Telling is much weaker than showing.

Shari felt anger sweep over her. Instead: Shari clenched her shaking hands into fists.

Ron was ashamed. Instead: Ron blushed and turned away.

The Emotion Thesaurus by Angela Ackerman and Becca Puglisi is a great resource to use. It matches actions to feelings to help you make the shift from telling to showing.

Enjoy going deep in your next story!

Going Deep in Your Story, Part 1

August 12, 2020July 28, 20208 Comments

Have you ever heard of deep point of view? As a writer, you want to transport the reader into the story. You want them there with the characters, feeling and experiencing everything they are. Deep point of view accomplishes that.

It’s a more intimate way of writing. The writer removes the narrator and settles into a comfy chair in the chosen character’s head. Although deep POV usually refers to third person, I’ve also found writing this way helpful in first person as well. It is limiting, though. You can’t know what the other characters are thinking because you’re firmly entrenched in your comfy chair. You can see reactions, but the other characters’ thoughts are hidden.

There are several other things to remember with deep POV.

You have to pick a character to inhabit. You can’t do two or three characters at a time. When you change scenes or chapters, you can slip into someone else’s head, but don’t do it within the scene. It’s sometimes referred to as head-hoppping, and it’s very confusing to the reader.

Avoid dialogue tags (in third person.) If you’re in Ron’s head, you wouldn’t say Ron snapped at Sharon. You’d use interiority to give the reader a window into what’s he thinking. For example: “No, you can’t have the last pickle.” He gritted his teeth. I’ve never seen someone as selfish as Sharon.

Avoid “distancing” words. She felt, noticed, realized, thought, looked at, etc. For example: Shari exited the shop. She noticed the dark sky. In seconds, she felt the heavy raindrops soak her clothes as she ran for her car. I’ll have to drive home carefully, she thought.

The same passage with deep viewpoint: Shari exited the shop. Dark clouds loomed, blocking the sun. In seconds, raindrops soaked her clothes as she ran for her car. I’ll have to drive home carefully.

Although these aren’t excerpts from the great American novel, the reader is closer to the characters. They sense Ron’s irritation and experience the storm as Shari does.

A couple of books cover this writing technique. A good one is Rivet Your Reader with Deep Point of View by Jill Elizabeth Nelson. Another is Writing Deep Viewpoint by Kathy Tyers.

Try this technique the next time you sit down to write. It’ll make your characters come alive for your readers.

JM Hackman

True North Fiction

Tag: characters

Spark: Firestarting & Neurodiversity

Writing a Series vs. a Standalone

Going Deep in Your Story, Part 2

Going Deep in Your Story, Part 1