Burn’s Release Day: Looking Back

I’d originally had another post for today– something about plotting vs. pantsing and how’d I’d used both for the Firebrand Chronicles, blah, blah, blah. 🙂

And it struck me that I didn’t want to talk about that much.  For the past two weeks, I’ve been looking back and thinking about when the Firebrand Chronicles journey started. I mean, I’ve finished a trilogy, but a part of me is still a little befuddled how that happened!

Humor me and let’s look back five years ago. At the front of it, 2015 looked a lot like other years before. After querying agents, and stalking, er, I mean, submitting to publishers, I had nothing to show for it except a nice, growing stack of rejections. So I did the only thing left–I reevaluated.

It sounded like this. “Well, I have a good life–a husband who loves me, two great kids, and we live in a rural neighborhood with a loving church nearby. I guess I don’t need to be published.”  And while all that was true, the need to write was still there. I couldn’t turn off the urge like a faucet, so I knew I’d still write if only to get the voices out of my head.

And that’s when things started to come together. I entered a contest that led to an award that led to a conference where I pitched Spark. (BTW, you should be entering contests! But that’s another post…) And here I am, five years later, with several anthologies containing my short stories and a finished trilogy. Phew!

Some might say it was my hard work paying off. While I’m certain hard work is part of it, it’s not ALL of it. Lots of writers work hard–we have to because the market is super-competitive. Part of it is about surrender, loosening a grip on a dream so Someone can shift it, manipulate it into something better. And part of it is also listening to that voice that tells you, this is what you’re put on earth to do, this is why you’re here.

I’m sure some people will read this and scrunch up their face, thinking, “Well, of course, she’d say that. She wrote and published a trilogy. What about me? What am I supposed to do?” I don’t know what your future holds. But I can give you three action items to improve your craft. I can’t promise these things will get you a contract or on the bestseller list, but I can promise they will help you be a better writer.

1) Finish the manuscript. Did you know 97% of people who write NEVER finish their manuscript? (That percentage stuns me every time.) You have to finish it to get it published, whether you go indie or traditional. Finish it so you can revise it, so it can be sent to an editor, or so you can move on to the next story. But keep working until you type “The End.”

2) Read. Read in your genre, outside your genre, anything and everything. You’ll learn what’s already been written, who did it well, and what’s trending. Knowing the published “landscape” is part of being a good writer.

3) Don’t give up. If you’re writing because you think it’s quick money, or because it’s easy, you can stop right now and take up underwater basket-weaving. It’s likely to make you more money and be easier than writing. But if you can’t give up writing, then keep going.  Don’t listen to the toxic naysayers. Instead, surround yourself with supporters, encouragers, those who love you, and want you to do well. Find a critique group, and learn as much as you can about writing.

I hope these tips help. I’ve grown and learned so much in these last five years, and I’m moving forward, still as much in love with writing as ever before. My next project (a Snow White retelling) is already “finished” although the plot holes need to be plugged. 🙂 For right now, I’ll let it simmer and enjoy Burn‘s release-day celebration!!!

Come join us Thursday night (8-10 PM) on Facebook for even more partying at the Burn Launch Party!

All That We See or Seem with Kristina Mahr

Thanks for stopping by Jilligan’s Island! Today, I’ve got author Kristina Mahr with me so we can talk about her amazing book All That We See or Seem. Here’s the back cover blurb:

Every night, seventeen-year-old Reeve Lennox finds herself under a noose.
By day she is a lady of Acarsaid’s royal house, daydreaming of adventure and love. But every night in sleep she wanders through a nightmarish city, an invisible witness to the screeches of monsters and the screams of their victims. Her only consolation is Bran, a battle-torn young man with a selfless heart and eyes that reflect the stars. Yet while Reeve falls deeper into her dreams, in truth she is engaged to Arden, a mercurial nobleman who has long been cured of his belief in love and breathes fire and flattery like other people breathe air.
Torn between two lives, Reeve struggles to remember what’s real. Until night and day collide, with a revelation that threatens all of Acarsaid.

People, I’ve read it, and I cannot wait until the sequel comes out! Eeep — so good! Anyway, Kristina agreed to stop by and answer some questions about herself and the book. So let’s delve right into it!

JM: Hi, Kristina! I have to say, I loved All That We See or Seem.  Where did you get the idea for this book?

KM: My sister has very vivid dreams, and I remember one day in February 2014, standing in her kitchen with her while she told me about a dream she had about a girl who falls in love with a boy she meets in her dreams. Super meta. Something about it really embedded itself in my brain, and I spent a lot of time thinking about it. Wondering who the girl was, who the boy was. Why she dreamt this place. What her real life was like. What hope there was for the two of them. Eventually, the pieces all came together to form a story. This story!

JM: That’s fantastic! My dreams are always so boring (like shopping at Walmart!) What do you feel is the theme for this book?

KM: I believe the theme for this book is hope. Reeve is so filled to the brim with it, this unrelenting feeling that things will work out. Somehow. Some way. She is determined to have the life she envisions for herself.

JM: What made you choose the theme of hope?

KM: Honestly, I chose it because it’s how I operate, too. That’s the way in which I’d say Reeve and I are most similar. I love the idea of changing my stars. Of not being trapped. Of having some say in my own future. No matter how things may be at any given moment, I think having hope is the key.

JM: Speaking of Reeve, give us some insight into her. Is she your favorite character? Why or why not?

KM: I love Reeve. Reeve’s my girl. She’s so kind-hearted and emotion-driven, and she rarely has anything but the best intentions. That doesn’t mean she doesn’t make mistakes, but she truly does mean well. She is so optimistic and hopeful, even when the circumstances should not lend her to feeling that way. Sometimes she’s a little dramatic and a little too idealistic, but it’s hard to blame her, given her age, her life, and her circumstances.

JM: Yes, she does lead a very privileged life. So, what made you choose this setting?

KM: When my sister first told me about her dream, we turned over story ideas that involved a contemporary setting, but it didn’t quite click. When I envisioned Reeve in her nightmare world, I always saw her in a nightgown. And when I thought about what it would be like for her to be abruptly visible there, the impropriety of wearing a nightgown out and about instantly popped into my mind. So those two facts told me this story needed to be set in the past a ways, in a time where this really would be pretty scandalous. I built Acarsaid as a fictional island nation because I wanted it to be isolated, small and independent, to reflect Reeve’s isolation, how small her world really is. Her nightmare world is the only other place she gets to go, so even though it’s awful there, there’s a certain freedom to it.

JM: You did a fantastic job building the nightmare world, even though I was often holding my breath while reading those scenes. 🙂 What was your favorite scene (either to write or for another reason)?

KM: Chapter 32 is my favorite chapter of the book, hands down. I don’t want to spoil anything, but… it’s a big one! I heard a song called “Kaleidoscope” by A Great Big World, and the scene just came to me, fully formed. It spilled from my fingertips in that convenient way that I wish would happen more often! I hope readers feel the magic in it, because to me, it is a purely magical scene.

JM: Kaleidoscope is perfect for that scene (and it’s a great song, too!) What about the title? Did you ever consider any other titles for this manuscript or was this your first choice?

KM: This was my working title while I wrote the book and far and away my first choice. I am so glad the publisher agreed to it! The poem “A Dream Within a Dream” by Edgar Allan Poe was a big inspiration for this story, and having that iconic line for my title is a dream come true. (Pun intended.)

JM: Let’s shift gears and find out a little bit about you. Are you a full-time author or do you balance writing with another job?

KM: I am a full-time accountant, so my day job is pretty much all numbers, all the time. Which is why it’s really nice to get to come home and focus on words, instead. I love numbers for their certainty and rigidity, and I love writing for the very opposite reason: the fluidity, the freedom. It’s nice to get to balance the two sides of my brain.

JM: Most people are either left or right-brained. It sounds like you have a healthy balance of both! You mentioned coming home to write. What does your writing space look like?

KM: I have a lovely loft in my house with great lighting, a massive bookcase, and my desk, but… I don’t write there. Well, I’ve written there once or twice. But for the most part, I write camped out on my couch, surrounded by my pets. I have a lap desk for my laptop, and I just kind of lounge on my couch and type away. In my happiest place, I have a soccer game muted on the TV while I work. Something I can glance up at that won’t pull me out of the story.

JM: That sounds relaxing? Does writing energize you or exhaust you?

KM: Honestly, both! It depends on the scene. Writing banter and lighthearted scenes is typically energizing, while writing heavier stuff really weighs on me. Still, the simple act of having written, of looking upon progress made, is so energizing. I’m obsessed with word count and hitting word count goals, and doing so fires me up.

JM: I totally agree with setting word count goals! What’s your favorite part of writing?

KM: I love words. Excessively. I love finding the precise phrasing or metaphor or lyrical tone to a sentence. I write short-form prose (I’m so reluctant to call it poetry, because I so don’t consider myself a poet!) as writing exercises to explore words and metaphors to my heart’s content. I just love how words can be arranged and rearranged in so many different ways, to pull so many different meanings and emotions. The very best moment is when I write a sentence that evokes the exact right feeling.

JM: What about your reading list? What are you reading now?

KM: I am currently beta reading my writing partner Jenna’s manuscript! I met Jenna two years ago at a writing retreat, and I’ve been dying to read this book ever since. Jenna was one of my beta readers for All That We See or Seem, so it’s an honor to get to beta read for her, as well.

JM: Before you leave, one last question. Aside from “keep writing,” what’s your best advice for aspiring writers?

KM: I cannot recommend writing workshops enough. I went to the Aspiring Writers Workshop hosted by Madcap Retreats in 2016, and it had a massive impact on me as a writer and my determination to someday be published. I learned so much from so many inspiring authors (including Maggie Stiefvater, Victoria Schwab, Dhonielle Clayton, Tessa Gratton, and so many more.) I also met so many fellow writers, who have formed a wonderful writing support system.

JM: That’s great advice! Thanks so much, Kristina!

Don’t forget to connect with Kristina on her social media links (listed below).

Biography:

Kristina Mahr devotes her days to numbers and her nights to words. She works full-time as an accountant in the suburbs of Chicago, where she lives with her two dogs and two cats, but her true passion is writing. In her spare time, she enjoys spending time with her family and friends, reading, and waking up at the crack of dawn every weekend to watch the Premier League.

Website: https://kristinamahr.com/

Goodreads: https://www.goodreads.com/author/show/17847708.Kristina_Mahr

Facebook: https://www.facebook.com/AuthorKristinaMahr

Twitter: https://twitter.com/Kristina_Mahr

Instagram: https://www.instagram.com/kristina.mahr/

Pinterest: https://www.pinterest.com/kristinamahr07/

If you have to have ALL THAT WE SEE OR SEEM now (And why wouldn’t you?), here are the buy links:

Amazon: https://www.amazon.com/That-Seem-Dreamworld-Duology-Book-ebook/dp/B07BJH8L7J/

Barnes & Noble: https://www.barnesandnoble.com/w/all-that-we-see-or-seem-kristina-mahr/1128233212

Kobo: https://www.kobo.com/us/en/ebook/all-that-we-see-or-seem-2

Apple: https://itunes.apple.com/us/book/id1360731363

Goodreads: https://www.goodreads.com/book/show/39341536-all-that-we-see-or-seem

5 Things You Must Do After Typing “The End”

 

You’ve finished the book. Day after day, month after month, (perhaps even year after year), you’ve slogged away at this manuscript. You’ve poured your heart and soul onto the pages. And now it’s finished right? Well, kinda. Here are five things you must do after typing “The End.”

 

  • Celebrate. Really. Did you know 97% of writers never finish their book? So you’re part of the 3% that completed yours. Congratulations! Go do whatever you do to celebrate: go out to dinner, go dancing, eat some prime chocolate, have a glass of wine, take a nap, whatever. But do celebrate because this is no small accomplishment.

 

  • Avoid the manuscript like the plague. Don’t look at it for a month. Six weeks would be better. Go on vacation. Take up a new hobby or revisit an old one. Let your brain have a break from it for awhile. Then come back to it with fresh eyes.

 

  • Revise. And revise. And revise. Oh, and revise some more. In regards to revision, more is better. One go-through isn’t enough to make the manuscript submission-ready (unless your John Grisham or James Patterson–and I’d bet they revise, too). You’ll need to go through it several times, removing unnecessary  words, strengthening sentences, plugging plot holes, adding description, and whatever else your manuscript needs.

 

  • Get feedback (but not from your parents, siblings, or other family relatives. Do not expect honest feedback from anybody who really loves you.) Maybe a stranger in Walmart would be a good choice. Just kidding–sort of. When you want to hear nice things, give it to a family member. If you want the honest truth, give it to someone who’s not related and doesn’t care about damaging your fragile ego. You might not agree with all of their comments, and that’s okay. It is, after all, your story. But the feedback’s another point of view, and you can make the choice to change the story or not. An important side note: if several beta readers (also known as unprofessional readers) say the same thing, take a good, hard look at the story. They see something you don’t.

 

  • Hire an editor. This is absolutely necessary if you’re going to self-publish. If not, it’d still be a beneficial move. It could be the difference between agent or no-agent. Or contract and no contract.  Listen to their ideas. (These professionals are amazing. In my current novel, my editor suggested action beats to flesh out a scene, flagged misplaced modifiers, and highlighted the actions that didn’t make sense. Spark is better for it–thanks, Michele!) There are a few manuscripts moldering in my filing cabinet. If I ever dust them off someday, they’ll desperately need an editor. Even though I love these cool stories, they need to be overhauled by a professional.

So, even if you’ve typed “The End,” it’s really not. But you’re in the home stretch, so don’t give up. Take some time to do the above five steps. And afterwards? Publish it independently. Send it to an agent. Or submit it to a publishing house. Because the world needs to read the story only you can tell.