Tag: publisher

Waiting…in the Wilderness

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The wilderness can be unpleasant (no water, no GPS, no path, no toilet paper. I like my creature comforts. Just sayin.’). A Biblical wilderness is similar. Jesus was tested in the wilderness, the Israelites wandered in the wilderness (for 40 freaking years!), and Elijah escaped into the wilderness to die. For the last year, instead of wandering, I’ve been waiting in a landscape of rejection as I try to understand in what direction God wants me to go. Self publishing? Small press? Agents to pitch my work to the “Big Four” (which includes Penguin Random House, HarperCollins, Simon & Schuster, and Hachette)?

I’d submitted several stories and my most current manuscript with no takers. When I received anything at all, it was a rejection. Very nice rejections, but it was still a no, thank you.  (I still appreciate a response of any kind since some agents are now responding to queries by ghosting.) I began wondering–maybe this was it for me. A three-book series and several short stories were more than I’d expected when I started out. Don’t be greedy, I told myself.

This waiting isn’t writer’s block. The stories keep coming. I’ve plotted three retellings, as well as three books for an urban fantasy series. Despite the recent rejections, or maybe because of them,  I struggled with self-doubt and the pressure to “write more fast.” The message to every writer out there is to produce more books as quickly as possible so your readers don’t forget about you. Just a bit hard when we’ve been dealing with events like graduation, a family member’s death, and an upcoming surgery–all within the same month.

I hadn’t taken into consideration the time or energy needed for my child’s major surgery. We’d reserved the hotel room, attended all the pre-op appointments, and completed the necessary tests. We were ready. I took my laptop with me (I thought I’d be able to write in the waiting room. *cue hysterical laughter*) On a Friday,  my husband and I camped out in the hospital waiting room, sat on uncomfortable chairs, drank subpar tea, and ate too-salty pretzels. For six hours. She came through surgery fine, and we drove home four days later. At home, we rounded up comfortable pillows and blankets, and charted medication to help her with pain management. (One of the most stressful/painful things is watching your child struggle with pain despite your best efforts.) She’ll be fully “recovered” in 12 weeks. In hindsight, I see how God didn’t want me to focus on querying and writing when my daughter needed my focus. After all, my kids are growing up and plan to move out (despite the promise I extracted from them both when they were six years old to never leave. Lol!)

Things are slowly returning to a new “normal” as I set up a routine that doesn’t coincide with a school district schedule. I’ve found a peace with where I am. The wilderness doesn’t always have to be horrible. I’m discovering it can be a place of renewal.

Have you ever had a season in your life that was difficult, isolating, or that failed to make sense to you? How did you handle it?  I’d love to hear about it.

The Firebrand Chronicles Boxed Set

I’ve got interesting and exciting news–the Firebrand Chronicles will be released as a boxed set! *cue the confetti, marching band, and awkward cartwheels*

After Burn was released, there was a flurry of emails between me and my publisher discussing this. I got to work and wrote four short stories about Brenna and beloved side characters. It was a lot of fun to flesh out the world of the Jasper Territory a bit more. I’m thrilled to share it all with you!

The three books of the Firebrand Chronicles will release with the four short stories on January 11, 2021 (just one more reason 2021 looks better than 2020) 🙂

We’ll be planning a fun release week, and I’ll be putting together an Instagram challenge. And for those of you who avoid IG like the plague? If I can expand the fun to Facebook, I’ll do that, too. 🙂

Keep your eyes on this website for more information coming soon. But if you want to be kept in the loop, come to the Facebook group The Pryomaniacs or sign up for my newsletter (the gray box on the right). We have giveaways, updates on upcoming books, and other bookish stuff.  We’d love to see you!

 

Writing a Series vs. a Standalone

I’ve heard authors ask, “Should I write a series or a standalone?”

My first answer would be to write the story in your heart. DO NOT WRITE TO TRENDS – say it with me. Do not. By the time that story’s written, revised countless times, edited, and polished, that royal Tasmanian zombie-shifter prison quartet trend will have flashed and died.

But if you can see your story going either way, here are a few truths regarding series and standalones.

  • Historically, authors are told to write series. Series sell better. If you’re shooting for traditional publishing, it shows agents/publishers you have more than one book in you. Readers like following characters they’ve read about before. (This last point is a double-edged sword. More on this later.) But if there isn’t an arc there, and you aren’t interested in adding or fleshing out secondary characters, don’t force it. Some stories might only be one book long. That’s not a crime. In fact, lately, I’ve hesitated to buy or read a book in a series. Every story seems to be part of a series (says the author who wrote a trilogy. Ahem.) Sometimes I just want to read a well-told, juicy standalone. Sometimes I just want to write a well-told, juicy standalone. But…
  • There’s a benefit to sticking with characters you’ve created, tortured, and triumphed with after just one storyline. I found this especially true with the Firebrand Chronicles. I grew to really know and love Brenna, Baldwin, and Arvandus. Spending all that time with them made me imagine what else could happen to them. After finishing a story, I usually imagine different connecting points between characters and plot. Even my short story “Everwild” (which is in the anthology Mythical Doorways and is FREE, BTW…) is already a four-book series in my head. I have plenty of adventure and mayhem planned for half-fae Flint and full-fae Lila. I just can’t get all my projects written as quickly as I’d like.
  • At the outset, writing a series requires more planning. Detailed notes are imperative—a “bible” for your world, with the characters, their backstories, descriptions, towns, magic system, tech level, money system, languages, belief systems, etc. You won’t remember it all—trust me. Take copious notes and keep them with you while you write. A map is good too, even if it’s one scrawled on notebook paper (which is what I have for my current WIP. I’m not crazy about it, but it’s working—for now.)
  • Over the long haul, world-building is generally less work. Although there are detailed notes being listed in your notebook bible, you create one world. That world lasts for the duration of the series. For each standalone, the author must create a new world. Every. Single. Time.
  • I mentioned how much readers like following characters they’re familiar with. I’ve found some readers don’t want to buy a book and then wait a year for the next installment. So they’ll wait. (*Raises hand.*) Many will wait until all the books are out. You won’t see sales. Don’t let that discourage you. Keep writing the next story. If you’re self-publishing, you could avoid this problem by doing a rapid release (which is writing all the stories, editing and polishing them, and then releasing them in quick succession, usually no more than six months apart.)

Don’t feel you have to create a series if it’s not in you. There’s a place for everyone at the table, both series writers and standalone authors.

What Is a Blurb?

You’ve probably heard of a blurb, but I’d bet my wobbling TBR pile you’ve read one–every time you pick up a book in a bookstore or click on the link on Amazon to learn more. But writing one for your own work isn’t easy.

Also called a BCC or back cover copy, it’s like a dating profile. What can you tell the reader that will make him/her purchase this book? The tagline on the front of the eye-catching cover compelled them to pick the book up or click on the link. You hooked them. Great! Now you have to make the reader buy it, and an engaging blurb will seal the deal.

Not sure how to start? Check Amazon for some ideas. Every book there has a blurb, but I would check the bestsellers in your genre. You’ll see how the big dogs do it. Once you’ve got a few ideas from checking Amazon, try writing a summary. Remember the synopsis you worked on? Use that to make sure you include the high points of your story. Unlike the synopsis, use more interesting language, exciting action verbs and hyperbole. List and name the main characters, what they want, and the obstacle in their way. Use short sentences with words that create a certain feeling and will draw in the Ideal Reader of your genre– for example the sinister monk, a mysterious secret, or the adorkable boy next door. Oh, and DON’T tell the reader how it ends. Include the stakes. Will they find their way out of the labyrinthine rain forest? Will they be eaten by starved zombies? Will they kill the evil mastermind? What do they have to lose if they don’t?

You’ll probably have a pretty clunky piece of writing, so hone it down. Play with the wording, making sure it’s written in your voice. And definitely do it more than a few times. But trust me, after writing several versions of the same blurb, it all begins to blur. That’s when you call in your writing friends to get new eyes on it. One of my writing buddies is the Queen of Blurbs—it’s like her superpower.

While some contests call for a blurb under 200 words, ideally it should be 100-150 words. Amazon doesn’t give you a lot of room and you’ll want it to be nicely spaced on the back cover. It can be tricky, but don’t give up on this crucial item. With some work, your blurb will sparkle and shine!

What Is a Synopsis?

Few words strike dread in the heart of a writer like the word synopsis. It’s the Dreaded Nightmare of most writers. (There’s probably a few out there who don’t mind writing them, but I’ve never met them).

So what exactly is a synopsis?

It’s a one-to-two page document, usually either two pages, double-spaced or one page, single-spaced. (Check the editor/publisher/agent guidelines. If it doesn’t specify, don’t sweat it. Just pick one.) The publisher or agent uses the synopsis to see if there are plotting issues or weird tropes (i.e., it was all a dream!). They aren’t expecting advertising copy; save your gorgeous, flowery prose for the manuscript. Otherwise, write it in the same tone and style the book is written in. One caveat: if your book is written in first person, don’t write your synopsis that way. Typically, write it in active voice, third person, present tense.

Briefly introduce your main character(s) and put their names IN CAPS the first time they’re introduced for ease of identification. This document is where you spill the beans regarding your story — the interesting setup, the plot twists, emotions and reactions of characters, setbacks, climax, and resolution. Keep the details pertinent, and don’t give tons of backstory. I’ve found this to be extremely difficult. After all, every single scene feels important to me. I want to include them all.

A few important points:

  1. Yes—you have to tell how the story ends. Aside from the length, this is one of the main differences between the synopsis and the blurb. Don’t try to pass the blurb off as a synopsis.
  2. Show, don’t tell doesn’t work for the synopsis. Because this is an entirely different kind of writing compared to a book, you’ll have to do a lot of telling, not showing.
  3. If you’re a pantser and you haven’t finished the manuscript (and therefore can’t finish the synopsis), go finish your book. Agents and publishers won’t consider books that are “mostly” finished.
  4. For more information, check out Reedsy’s article on writing a synopsis.

I’ve found the easiest way to create a synopsis (or as easy as synopsis creation can be) is to take my manuscript and go through it chapter by chapter. What are the key plot points that occur? List them in order. Be brief. When I’m done,  I’m halfway to a working synopsis.  Then edit, edit, edit.

Taglines vs. Loglines

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Are you planning for a writers’ conference this summer? Or perhaps you’re planning to start querying? (Good for you!!) Either way, words like tagline or synopsis or blurb can strike fear in your heart. For the next several weeks, my blog posts will help you identify what agents and publishers want. I’ll cover some of the major items in an author’s arsenal: synopsis, blurb, one sheet, and this week’s focus, Taglines and Loglines.

 

Tagline. Logline. They sound similar, but they’re not. What are the differences?

While not every book has a tagline, a proposal may require one. (Each publisher’s requirements may be a little different.) It can also be called a sales handle. A tagline’s main purpose is to hook the reader. It should be catchy, intriguing, and give a hint of what the book is about. One-liners work best and generally no longer than ten words. Some examples: “Remember it’s only a game.” (Caraval), “Let them fear her.” (Wicked Saints), “Let the magic begin.” (Harry Potter and the Sorcerer’s Stone) One of the best examples I ever read was for Percy Jackson and the Lightning Thief. “Half boy. Half god. All hero.”

A logline is different. It’s one sentence (and one sentence only) about 35-45 words that shares what your story is about in an entertaining manner. You’ll need this when you sit down at a table to have lunch, and the acquisitions editor across from you says, “So what’s your story about?” This really happened to me. Since I was a total noob at the time, I stumbled over my words. She was interested anyway and invited me to pitch to her later. Hopefully, your logline will be better than mine and the other person will beg for more.

If this sounds like an elevator pitch, it’s not — it’s shorter. Some guidelines also call this a promo sentence. (Don’t you just love how there are several different labels for the same thing?) Anyway, the logline should establish setting, protagonist, problem, an antagonist, conflict/action, and goal.

Sounds difficult, right? But you can do this! Remember–practice makes perfect. Pick a few of your favorite television shows and work up a logline for them. (Bonus hint: Don’t use a rhetorical question in your logline—it has to be a sentence.) If you’d like more information on how to craft this magical unicorn, check out the article at https://blog.celtx.com/learning-series-lesson-1-creating-a-logline/. It goes a little deeper on how to begin setting one up.

One final note: while taglines display your knowledge of how to sell your book, an agent will probably never ask for one in a pitch. She or he will ask for your logline (“What’s your book about?”), so if you only have time to work on one of these things, make it your logline.