Tag: revise

Writing a Series vs. a Standalone

I’ve heard authors ask, “Should I write a series or a standalone?”

My first answer would be to write the story in your heart. DO NOT WRITE TO TRENDS – say it with me. Do not. By the time that story’s written, revised countless times, edited, and polished, that royal Tasmanian zombie-shifter prison quartet trend will have flashed and died.

But if you can see your story going either way, here are a few truths regarding series and standalones.

  • Historically, authors are told to write series. Series sell better. If you’re shooting for traditional publishing, it shows agents/publishers you have more than one book in you. Readers like following characters they’ve read about before. (This last point is a double-edged sword. More on this later.) But if there isn’t an arc there, and you aren’t interested in adding or fleshing out secondary characters, don’t force it. Some stories might only be one book long. That’s not a crime. In fact, lately, I’ve hesitated to buy or read a book in a series. Every story seems to be part of a series (says the author who wrote a trilogy. Ahem.) Sometimes I just want to read a well-told, juicy standalone. Sometimes I just want to write a well-told, juicy standalone. But…
  • There’s a benefit to sticking with characters you’ve created, tortured, and triumphed with after just one storyline. I found this especially true with the Firebrand Chronicles. I grew to really know and love Brenna, Baldwin, and Arvandus. Spending all that time with them made me imagine what else could happen to them. After finishing a story, I usually imagine different connecting points between characters and plot. Even my short story “Everwild” (which is in the anthology Mythical Doorways and is FREE, BTW…) is already a four-book series in my head. I have plenty of adventure and mayhem planned for half-fae Flint and full-fae Lila. I just can’t get all my projects written as quickly as I’d like.
  • At the outset, writing a series requires more planning. Detailed notes are imperative—a “bible” for your world, with the characters, their backstories, descriptions, towns, magic system, tech level, money system, languages, belief systems, etc. You won’t remember it all—trust me. Take copious notes and keep them with you while you write. A map is good too, even if it’s one scrawled on notebook paper (which is what I have for my current WIP. I’m not crazy about it, but it’s working—for now.)
  • Over the long haul, world-building is generally less work. Although there are detailed notes being listed in your notebook bible, you create one world. That world lasts for the duration of the series. For each standalone, the author must create a new world. Every. Single. Time.
  • I mentioned how much readers like following characters they’re familiar with. I’ve found some readers don’t want to buy a book and then wait a year for the next installment. So they’ll wait. (*Raises hand.*) Many will wait until all the books are out. You won’t see sales. Don’t let that discourage you. Keep writing the next story. If you’re self-publishing, you could avoid this problem by doing a rapid release (which is writing all the stories, editing and polishing them, and then releasing them in quick succession, usually no more than six months apart.)

Don’t feel you have to create a series if it’s not in you. There’s a place for everyone at the table, both series writers and standalone authors.

Going Deep in Your Story, Part 2

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There are plenty of ways to go deep into the story you’re telling. Many people think going deep refers to deep point of view, which I covered in last week’s post. Today, I want to discuss ways to add richness to your storytelling by going deep in other ways.

One way is to use all five senses (smell, sight, taste, touch, and hearing). Yes, I know this is a basic rule. But think…in this digital age, when was the last time you put your phone away and just looked?  Learn to be an observer of people and environments. People watch. What do you notice? What about your environment? What color of blue is the sky? How does the snow look when it falls slowly?

Take a scene you’re currently working on. Have you included what the character experiences? The purr of a sports car? The stickiness of a fast-food counter? Smells are sometimes overlooked, but I love these lines from Rudyard Kipling: “Smells are surer than sights or sounds/To make your heart-strings crack…”

Sometimes I’ll include the sixth sense, intuition (sparingly). You know that feeling of knowing when someone’s lying or when your hair rises on the back of your neck? This sense is great for creating tension.

I can imagine you’re thinking, “But I can’t write the story and include all of that at the same time—it’s too much!” You’re right, it is. So just write the story first. One of my favorite quotes is by Terry Pratchett: “The first draft is just you telling yourself the story.” Spill everything onto the page. Don’t edit, don’t fuss about word choice. It doesn’t need to be pretty—you can add the five senses in the following drafts.

Something else you can include in the second draft (& third, and fourth, and fifth, and…) is descriptions. Metaphors and similes add to the mood of the story as well. Make use of them (again, sparingly) through the character’s eyes. For example, a high society woman wouldn’t say or think someone was “as happy as a pig in slop.” Stay true to your character so the reader can stay in the character’s skin.

Show, don’t tell, how someone feels. Telling is much weaker than showing.

Shari felt anger sweep over her. Instead: Shari clenched her shaking hands into fists.

Ron was ashamed. Instead: Ron blushed and turned away.

The Emotion Thesaurus by Angela Ackerman and Becca Puglisi is a great resource to use. It matches actions to feelings to help you make the shift from telling to showing.

Enjoy going deep in your next story!

Going Deep in Your Story, Part 1

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Have you ever heard of deep point of view? As a  writer, you want to transport the reader into the story. You want them there with the characters, feeling and experiencing everything they are. Deep point of view accomplishes that.

It’s a more intimate way of writing. The writer removes the narrator and settles into a comfy chair in the chosen character’s head. Although deep POV usually refers to third person, I’ve also found writing this way helpful in first person as well. It is limiting, though. You can’t know what the other characters are thinking because you’re firmly entrenched in your comfy chair. You can see reactions, but the other characters’ thoughts are hidden.

There are several other things to remember with deep POV.

You have to pick a character to inhabit. You can’t do two or three characters at a time. When you change scenes or chapters, you can slip into someone else’s head, but don’t do it within the scene. It’s sometimes referred to as head-hoppping, and it’s very confusing to the reader.

Avoid dialogue tags (in third person.) If you’re in Ron’s head, you wouldn’t say Ron snapped at Sharon. You’d use interiority to give the reader a window into what’s he thinking. For example: “No, you can’t have the last pickle.” He gritted his teeth. I’ve never seen someone as selfish as Sharon.

Avoid “distancing” words. She felt, noticed, realized, thought, looked at, etc. For example: Shari exited the shop. She noticed the dark sky. In seconds, she felt the heavy raindrops soak her clothes as she ran for her car. I’ll have to drive home carefully, she thought.

The same passage with deep viewpoint: Shari exited the shop. Dark clouds loomed, blocking the sun. In seconds, raindrops soaked her clothes as she ran for her car. I’ll have to drive home carefully.

Although these aren’t excerpts from the great American novel, the reader is closer to the characters. They sense Ron’s irritation and experience the storm as Shari does.

A couple of books cover this writing technique. A good one is Rivet Your Reader with Deep Point of View by Jill Elizabeth Nelson. Another is Writing Deep Viewpoint by Kathy Tyers.

Try this technique the next time you sit down to write. It’ll make your characters come alive for your readers.

 

Thank You

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I’ve been waffling on what to say here–it feels momentous! The blog tour is over, and Burn is in the wild.  I have All. The. Feels.  *blows nose inelegantly into a tissue*

Today is a day for celebrating!!!! Aside from the fact it’s the weekend, online schooling is almost over. Can I hear a heartfelt amen? *Cue marching band and confetti* (And yes, I can use as many exclamation marks as I want because I’m celebrating!!!)

Me, when I celebrate

Also me, when I celebrate during a pandemic

 

 

 

 

 

All you homeschooling mom and dads, props to you. Online schooling is hard, especially when you’re thrown into the deep end like we were.  Releasing a book, a series, is hard too and it never occurs in a vacuum. I’m so grateful to those who became a part of the “Firebrand team.” *voice wobbles and pulls out the tissue again* Sheesh.

My husband and my kids are my biggest supporters. This isn’t lip service. They read the books, give encouragement, and act as stand-ins when I have to stage fight scenes. (My kids think I’m weird, but they’re avid cosplayers so I see them walking around the house in wigs and black and white face paint. The apples haven’t fallen far from the tree. Lol!) Their support is huge because they’re the ones who suffer the most when the laundry doesn’t get done or I don’t cook because of deadlines or a scene has to be written–RIGHT NOW.

My supportive parents encouraged me to be creative and imaginative. Mom and Dad, thank you for letting me daydream and write and read stacks and stacks of library books until my eyes crossed. <3

When I pitched at Realm Makers in Villanova, PA (2016!), Michele Harper (and the entire L2L2 Publishing team) were so encouraging. At that point, I’d been out of the writing conference loop for almost ten years, had two children, and switched genres (from romance to joining the dark side of speculative fiction. Lol!). BTW, if you’ve never been to a writer’s conference, Realm Makers is one of the best out there–not just because of great classes and content, but also because the people are nice people. (You might think that’s a given. I’m speaking from experience–it’s not that way everywhere.)

Also, if you’ve beta read or critiqued the Firebrand Chronicles, blogged or posted on social media, left a book review, gushed about them to a friend, or stopped me on the street to say you liked the book or asked about the next one–THANK YOU. Knowing my stories gave you the chance to escape to Linneah with Brenna and Baldwin for a few hours is a huge honor.

It’s a bit bittersweet leaving them behind, but I hope BURN’s ending is everything you longed for.

As mentioned in L2L2 Publishing’s most recent post, the Firebrand Chronicles is being gathered into a beautiful boxset, complete with new short stories and other extras! I’ve had so much fun creating them and I’m eager to share them with you. It’s tentatively scheduled for a summer release — more information will be forthcoming!

Thanks again to everyone and enjoy your summer!

 

 

Burn’s Release Day: Looking Back

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I’d originally had another post for today– something about plotting vs. pantsing and how’d I’d used both for the Firebrand Chronicles, blah, blah, blah. 🙂

And it struck me that I didn’t want to talk about that much.  For the past two weeks, I’ve been looking back and thinking about when the Firebrand Chronicles journey started. I mean, I’ve finished a trilogy, but a part of me is still a little befuddled how that happened!

Humor me and let’s look back five years ago. At the front of it, 2015 looked a lot like other years before. After querying agents, and stalking, er, I mean, submitting to publishers, I had nothing to show for it except a nice, growing stack of rejections. So I did the only thing left–I reevaluated.

It sounded like this. “Well, I have a good life–a husband who loves me, two great kids, and we live in a rural neighborhood with a loving church nearby. I guess I don’t need to be published.”  And while all that was true, the need to write was still there. I couldn’t turn off the urge like a faucet, so I knew I’d still write if only to get the voices out of my head.

And that’s when things started to come together. I entered a contest that led to an award that led to a conference where I pitched Spark. (BTW, you should be entering contests! But that’s another post…) And here I am, five years later, with several anthologies containing my short stories and a finished trilogy. Phew!

Some might say it was my hard work paying off. While I’m certain hard work is part of it, it’s not ALL of it. Lots of writers work hard–we have to because the market is super-competitive. Part of it is about surrender, loosening a grip on a dream so Someone can shift it, manipulate it into something better. And part of it is also listening to that voice that tells you, this is what you’re put on earth to do, this is why you’re here.

I’m sure some people will read this and scrunch up their face, thinking, “Well, of course, she’d say that. She wrote and published a trilogy. What about me? What am I supposed to do?” I don’t know what your future holds. But I can give you three action items to improve your craft. I can’t promise these things will get you a contract or on the bestseller list, but I can promise they will help you be a better writer.

1) Finish the manuscript. Did you know 97% of people who write NEVER finish their manuscript? (That percentage stuns me every time.) You have to finish it to get it published, whether you go indie or traditional. Finish it so you can revise it, so it can be sent to an editor, or so you can move on to the next story. But keep working until you type “The End.”

2) Read. Read in your genre, outside your genre, anything and everything. You’ll learn what’s already been written, who did it well, and what’s trending. Knowing the published “landscape” is part of being a good writer.

3) Don’t give up. If you’re writing because you think it’s quick money, or because it’s easy, you can stop right now and take up underwater basket-weaving. It’s likely to make you more money and be easier than writing. But if you can’t give up writing, then keep going.  Don’t listen to the toxic naysayers. Instead, surround yourself with supporters, encouragers, those who love you, and want you to do well. Find a critique group, and learn as much as you can about writing.

I hope these tips help. I’ve grown and learned so much in these last five years, and I’m moving forward, still as much in love with writing as ever before. My next project (a Snow White retelling) is already “finished” although the plot holes need to be plugged. 🙂 For right now, I’ll let it simmer and enjoy Burn‘s release-day celebration!!!

Come join us Thursday night (8-10 PM) on Facebook for even more partying at the Burn Launch Party!

What I Learned While Writing Spark (and Spark teaser!)

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When I began writing in 1995, I wrote Christian romance. While writing that first novel, I like to say I made all my mistakes. (Because I made so many, that story will never see the light of day). In each subsequent novel, I continued to learn new things and (hopefully) my writing improved. Spark was no different.

  • If you’re writing a series, seed your stories.

Spark is the first book of The Firebrand Chronicles. It’s about a female teen, Brenna, and the events that occur as she becomes an adult. Because it’s chronological and about one major character, I had to spend a lot of time outlining and thinking about where I wanted the other stories to go. And I had to make sure certain things happened in each book so that the next book would work. My editor was very, very kind. We were deep into edits when I sent her a desperate, yet apologetic email. “We have to change the name of this item. What I have won’t work.” She agreed and changed it. I’m thankful for her flexibility because the sequels would be a lot harder to write without the change. So even though I’m a pantser at heart, outlining the following books ahead of time was necessary.

  • Trademarks matter.

While I was writing, I threw in references to Pop-Tarts and Volkswagen vans. After all, they’re familiar items unless you’ve been living under a rock. But they’re trademarked, which means you need to be careful. After consulting with the Kellogg’s people, they nixed my Pop-Tart references (I still don’t think I’ve forgiven them). And the Volkswagen van reference was scrubbed and changed to “SUV.” We were thrilled when the C.S. Lewis Foundation okayed Lewis’s quote I used at the beginning of the story. I always knew he was a classy guy.

  • There’s no such thing as too much revision.

I haven’t counted how many total revisions Spark went through. But even now, after it’s done and printed, I still see things I’d change. (Part of that is my attractive, neurotic side.) Aside from the revisions I made before it I typed “THE END”, I revised it at least two times before giving it to my family, then again before giving it to my critique group, then revised it three more times before submitting it to a contest, then revised it again before submitting it to an agent. My agent showed me how he wanted it revised (which I did—twice), then my publisher showed me the revisions she wanted (and there were three rounds of those edits). So in all, I revised Spark at least ten times. Although I’m happy with it, it’s no surprise I’m ready to move on.

I’ve begun writing Book Two of The Firebrand Chronicles, titled Flare, and it picks up about eight months after Spark ends. I’m enjoying the process of creating and herding these characters in the direction they need to go. Please pick up a copy of Spark, then leave an honest review on Amazon, Goodreads or Barnes and Noble, telling everyone what you think.

Because the last thing I’ve learned? Authors (this one included) loves reviews!

And as promised here’s a teaser for Spark!

 

Isn’t it amazing? Thanks for watching!

 

5 Things You Must Do After Typing “The End”

 

You’ve finished the book. Day after day, month after month, (perhaps even year after year), you’ve slogged away at this manuscript. You’ve poured your heart and soul onto the pages. And now it’s finished right? Well, kinda. Here are five things you must do after typing “The End.”

 

  • Celebrate. Really. Did you know 97% of writers never finish their book? So you’re part of the 3% that completed yours. Congratulations! Go do whatever you do to celebrate: go out to dinner, go dancing, eat some prime chocolate, have a glass of wine, take a nap, whatever. But do celebrate because this is no small accomplishment.

 

  • Avoid the manuscript like the plague. Don’t look at it for a month. Six weeks would be better. Go on vacation. Take up a new hobby or revisit an old one. Let your brain have a break from it for awhile. Then come back to it with fresh eyes.

 

  • Revise. And revise. And revise. Oh, and revise some more. In regards to revision, more is better. One go-through isn’t enough to make the manuscript submission-ready (unless your John Grisham or James Patterson–and I’d bet they revise, too). You’ll need to go through it several times, removing unnecessary  words, strengthening sentences, plugging plot holes, adding description, and whatever else your manuscript needs.

 

  • Get feedback (but not from your parents, siblings, or other family relatives. Do not expect honest feedback from anybody who really loves you.) Maybe a stranger in Walmart would be a good choice. Just kidding–sort of. When you want to hear nice things, give it to a family member. If you want the honest truth, give it to someone who’s not related and doesn’t care about damaging your fragile ego. You might not agree with all of their comments, and that’s okay. It is, after all, your story. But the feedback’s another point of view, and you can make the choice to change the story or not. An important side note: if several beta readers (also known as unprofessional readers) say the same thing, take a good, hard look at the story. They see something you don’t.

 

  • Hire an editor. This is absolutely necessary if you’re going to self-publish. If not, it’d still be a beneficial move. It could be the difference between agent or no-agent. Or contract and no contract.  Listen to their ideas. (These professionals are amazing. In my current novel, my editor suggested action beats to flesh out a scene, flagged misplaced modifiers, and highlighted the actions that didn’t make sense. Spark is better for it–thanks, Michele!) There are a few manuscripts moldering in my filing cabinet. If I ever dust them off someday, they’ll desperately need an editor. Even though I love these cool stories, they need to be overhauled by a professional.

So, even if you’ve typed “The End,” it’s really not. But you’re in the home stretch, so don’t give up. Take some time to do the above five steps. And afterwards? Publish it independently. Send it to an agent. Or submit it to a publishing house. Because the world needs to read the story only you can tell.